I came across the Wrecking Ball CD in the late 1990s, pulling it from the racks at the Vernon Parish Public Library in Central Louisiana. The cover alone — a high-contrast black-and-white close-up of Emmylou’s face blurred and streaked as though dissolving into shadow or motion, pierced by a single vivid yellow glow that cuts through theContinueContinue reading “Dark Room, Yellow Light: How “Wrecking Ball” Remade Emmylou Harris”
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Most Novembers I Break Down and Cry
“I can’t remember if we said goodbye.” That line from Emmylou Harris’s cover of “Goodbye” always gets me, and did again this morning, coffee in hand before the sun cleared the piney woods. It’s a simple lyric, almost plain-spoken, but it carries an unexpected weight. The kind that comes not from tragedy, but from uncertaintyContinueContinue reading “Most Novembers I Break Down and Cry”